How I paint Appaloosas
This isn't really a tutorial per se, but a general description of my painting process for a heavily roaned (or as we Appy folks say, "varnished") and a more solid one with blanket and large spots.







I always start with white primer and I let that be my "whites." I am currently using Rustoleum Flat White Plastic Primer and sealing with Krylon Matte Finish. I seal the primer before I add any pastels and wear gloves at all times while handling the model.
I have found that pastels (both stick and pan types) and earth pigments work best for me and my style and technique. I like pastels because I can do multiple layers really fast, not having to wait for paint to dry. I do paint the eyes and chestnuts with acrylics though. I use pastel sticks that are shaved down to a powder into a paper plate, or earth pigments, or pan pastels or combination of them. I mix and match them to achieve the desired color. The first layer of pastels is pinks in inner ears, around eye socket, muzzle and genitals and butt cheeks. (I use a small soft brush for this.) I also add pink or tan on the hooves. I usually use two coats of pink, and I seal between each layer.
Next I start the mottling. My best advice for this is to use clear reference photos of a real horse’s mottling that goes with the pattern you have chosen. Not all Appies mottle alike. I apply dark gray pastels over the pinks to indicate mottling. I "stipple" sometimes with a rubber tipped Paint Eraser, but mostly I use tiny Micro Brushes and add layers as needed for darkness.
One thing I see a lot of artists do that is not correct for Appaloosas, is to put too many spots or too much dark skin on the center area of the sheath or in between the thighs. The vast majority of Appies' genitalia is pink all down the middle. The gray radiates outward towards the butt and flanks, if that makes sense. There, again, use a good reference photo for accuracy.
Sometimes I use a sharpened eraser pencil or kneaded eraser to remove gray in places to achieve the desired mottling effect. Here you can see the mottling inside the ears, around the eyes and on the muzzle. At this point, I seal the model and leave the mottling as is until I finish the rest of the horse. I can always go back and make it darker if needed.
The next step is to rough in the pattern with gray. I generally rough in the whole Appy pattern in light and dark grays before the coat color begins. In heavily roaned areas (seen here on neck, chest and barrel), I apply pastels with the micro brush in a stippling technique. Just dab, dab, dab away. I leave it splotchy and random, with some white showing through and alternate with some darker specks, being careful to follow the direction of hair flow. Then for the next layers I do the same - much like the hair by hair technique artists use with paint, but SO much faster. It is more "impressionistic" than "realistic" but gives the look of roaning as well. In areas that will be solid (like this one’s forelegs) I smoothed the pastel with a brush.
Then I start adding the colors over the gray pattern areas, with micro brush or paint eraser in stippling technique. For areas that are more solid, not so roan-y, I smooth over the stippled pastels with a small brush. I leave some show-through white and on successive layers make some stipples darker. Then I just keep adding layers of color, working toward the desired effect, always working light-to-dark with the pastels. I always seal between each layer, and I work in sections, not all over the horse at once.
In this photo, the mane and tail color is started and I've done some work on the feathers. I continue to darken and add color as desired, still using random, stippling strokes until the pattern is completed and as dark as you want it.
And then the final details - the eyes, chestnuts, shoes and nails are painted with acrylics and silver sharpie. I gloss the eyes and inside nostrils with Liquitex Gloss Varnish, and he's done!
Ink Spots is a customized Breyer Shannondell. I repositioned his left rear leg to stand flat on the ground and slightly moved his left front leg backward at the knee.
At his first show, All The Pretty Ponies Show in Florida, I am happy to report that he won his breed class and then took home the Overall Grand Champion Custom ribbon! (Photo by owner)


For a blanket Appy with spots, first I do the pinks and tans and mottling just as on every model I paint. Then I decide where the spots will be and lightly sketch them in place.
Then I add the haloes. I don't worry about being precise, except that I do try to follow the direction of the hair growth with my brush strokes/stipples. They shouldn’t radiate outward from the center of the spot, but go "down" on all sides of the spot, if the hair is growing "down."
I use these mini brushes to stipple my Appy patterns. The white tipped one is new, makes a fuller, rounder spot or fills in larger areas. The middle one has been used a while and it eventually gets worn out, but right now it is the right size for the haloes and small dots and lacing effects. Then I use a newer one that carries more pastel powder to fill in the spots.
I never throw a brush away. Older, scruffy brushes are great for pasteling. I use a sharp eraser pencil to remove unwanted pastel from areas too small for my kneaded eraser. An eraser pencil is great for smoothing and softening halo edges and lacy patterns. For large areas of solid color I use a standard paint brush. Mini brushes are good for hoof stripes.
Continue to rough in the pattern, and darken as needed in successive layers until the pattern is roughed in all the way around. Then I start to add the coat color on top of the gray. Sometimes I leave gray showing at the edge of a pattern like gray skin. The gray undercoat helps to not need so many layers of color on top.
When all the final details of eyes, chestnuts and glossing are done, the model gets a photo shoot with his name and is ready to go home to grace a collector’s shelf or compete in a model horse show.



And that's
how I paint Appaloosa
models!







If you've ever wanted to paint your own model to a flashy Appaloosa, just go for it! And have fun!
I give God all the glory for whatever talent He has given me as He blesses the work of my hands, according to Deuteronomy 28:1-14.
Understanding color
Painting over gray vs. painting over white.
Working with color is so much fun...and sometimes frustrating. I see all the time where people ask "how do I get this color?" or What combination of colors do I use to do this?" etc.
Actually a lot of it is trial and error but some of it is just knowing some color science - what colors go together to produce another color. I learned a lot of that in art classes in college, but honestly I think a lot of my ability is just a God-given talent. It just comes easy to me to figure out what colors I need to mix. (most of the time, anyway)
That being said, I thought I would share this latest color experiment in hopes it may help others. I am working simultaneously on two models, one a darker buckskin and one a palomino. Interestingly enough I am using the SAME pastel mix on BOTH. The only difference is that on one I roughed in the pattern with a gray undercolor and on the other I painted directly on a white background. The difference is amazing.
Remember that when you seal pastels, they go very transparent, allowing whatever layer is underneath to show through and will change what you see before you seal.
It may help to have a "test" model you can paint different colors together to see how it ends up before you mess up a nice resin.
Above all, have fun!


I don't always use pastels (sticks, pan pastels and earth pigments) straight. I usually mix a pile of a custom color and save in a paper plate to use again.
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This is what I call "Dk. Buckskin." I wrote down the "recipe" I used so I can duplicate it, if I ever use it all.
